内容介绍: 17

书名：影视剪辑（第二版）

英文：Film and Television Editing（2nd edition）

严富昌 著

内容简介

本书为北京大学数字化教材立项配套纸质教材。

优秀的影视作品离不开三个基本元素：社会学的、诗的和技术的。社会学着眼于影视片的社会价值，技术专注于影视片画面内容的实现手段，这两个方面大家都比较熟悉。而介于二者之间的——诗的元素，即影视语言和剪辑艺术，则很少有人会认真详细地讨论。

本书是一部讨论影视语言与剪辑艺术的教材，不仅系统地阐述了影视剪辑的规范、方法和流程，详细地介绍了影视剪辑的实践、经验和技巧，还深入地探讨了影视语言的基本语法和使用规范。本书按照影视语言的语法架构，设计了四个单元。第一单元是“字法”，即认识镜头，它是剪辑的基本单位，包括剪辑基础、景别选择、镜头角度和镜头视点，为影视剪辑作知识准备；第二单元是“词法”，即了解镜头的组接规范，包括时间长度、镜头剪辑和方向匹配，为影视剪辑的操作实践明确了基本规范；第三单元是“句法”，掌握影视段落的剪辑方法，包括片段组接、运动剪辑和转场过渡，关注如何通过剪辑进行镜头叙事；第四单元是“章法”，探讨影视片的叙事结构和整体框架，包括声音剪辑、字幕编辑、类型剪辑和蒙太奇剪辑，既关注影视片的内容层次和结构流程，又注重影视片的艺术表现。

在第一版基础上，第二版增加了一些新的章节，扩充了部分章节内容；更新了教学资源平台，提供了教材中案例分析的视频片段；采用了双色印刷；后续还将同步更新丰富的数字化教学资源。本书适用于新闻与传播学及相关专业的初学者、影视剪辑从业者的学习和参考。

选用本教材的老师可填写书末的“教师反馈及教辅申请表”获得配套电子教学课件。

作者简介

严富昌 男，1975年生人，传播学博士、高级工程师，Apple Final Cut Pro和Avid Media Composer认证讲师，现就职于北京大学新闻与传播学院，任数字传播教学实验中心主任。长期致力于新媒体和网络传播领域实践教学环境的开发与建设，以及影视前期实操实训和影视后期剪辑制作的教研工作。实践经验丰富，教学成绩优秀，曾获得过北京市教育创新标兵、北京大学教学优秀奖、实验室先进个人、实验技术成果奖、正大教师奖等数十个奖项。出版著作有《影视剪辑》《网络谣言研究》《IPTV技术与管理》《网站策划与设计》和《Final Cut Pro 7：Professional Video Editing》（译著，苹果专业培训系列教材）等。

Excellent film and television works are inseparable from three basic elements: sociology, poetry and technology. Sociology focuses on the artistic value of film and television work, technology is to explore the means of film and television content. There are many courses and books on these areas that we are familiar with. However, there are limited discussion and courses on poetry, which is in between the other two elements in the art of editing. I have been teaching video editing courses for more than ten years, knowing that even with the availability of many editing software, many people still don’t know how utilize them. It’s just like knowing Microsoft Word and having a good dictionary, doesn’t make you a litterateur.

This is a basic course on film and television editing, introducing the ideas of ​​editing methods and processes, summing up editing experiences and skills for beginners. The course helps them to improve the efficiency of editing and make less mistakes. There are four modules in the course. The first module is to understand the basic unit of a shot, including the scene, angle, views and length. These are the basic units and preparatory knowledge for film and television editing. The second module is to group the shots, including editing, matching directions, grouping individual shots and transition. These are the basic practices and general rules of film and television editing to narrate and express the story with shots. The third module is implemented into the process of the second module on how to operate the camera, precautions to take and important points to note during filming. The fourth module is paragraph editing, including motion editing, sound editing, type editing and montage editing. Type clips include several typical scenes such as comedy, thriller, eroticism and musical performance, concentrating on the structure of content, and focusing on the performance of art.

What needs to be emphasized is this “Film and Television Editing” course does not teach the ABC of non-liner editing software. Students need to enroll into “Video Editing" and other courses in advance to master Final Cut Pro and other mainstream non-linear editing software skills before selecting “Film and television Editing” . This course is the medium to converge both the art and technology of film and television, presenting the general rules of film and television editing in an comprehensive, systematical and hierarchical way. It has also summed up the editor's editorial ideas, operational ideas and industry experiences, suitable for beginners with limited experience in editing.